![]() ![]() A novel is composed of written words, a film is composed of pictures and sounds. ![]() He believes that absolute fidelity is impossible due to the difference in mediums between novel and film, the lack of a single absolutely correct reading of a novel, and the intertextuality of all novels and films. ![]() Stam claims that a more effective criticism will be based in “contextual and intertextual history,”(75) less concerned with vague ideas of “fidelity” and more concerned with “readings, critiques, interpretations, and rewritings of prior material,”(76). Many criticisms are based in concerns about whether an adaptation fully embodied the critic’s ideal of the “fundamental narrative, thematic, and aesthetic features of its literary source,”(54). An adaptation, in this sense, is less an attempted resuscitation of an originary word than a turn in an ongoing dialogical process.īeyond Fidelity Abstract Beyond Fidelity: The Dialogics of Adaption by Robert Stam Abstract by Alyssa Smith This article argues that moralistic language such as “fidelity” is limiting when describing a film adapted from a novel. Historically, fidelity study has so pervaded adaptation theory that contemporary theoretical work seems. Beyond Fidelity The Dialogics Of Adaptation Pdf Creator. I suggest that where this does happen, it does so because of a cultural binary that structures the language of. Adaptation, Fidelity, and Gendered Discourses. ![]()
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